Strides for Success

Tag: Bending

  • Staying on Track on a Circle

    Staying on Track on a Circle

    What this episode is all about & how it can help you:-

    • What is straightness on a circle
    • Creating a channel and maintaining it
    • The importance of independent aids to maintain the circle
    • What can go wrong and how to identify and work on it

    [smart_track_player url=”https://op3.dev/e/traffic.libsyn.com/dailystridespodcast/1019-Staying-on-Track-on-a-Circle.mp3″ title=”Staying on Track on a Circle” social_linkedin=”true” social_pinterest=”true” social_email=”true” tweet_text=”You ride them every day- circles – let’s start getting them right…” hashtag=”Equestrian, #Podcast” twitter_username=”strides_success” ]

    I am willing to bet that every time you get in the arena with your horse, you are riding circles in some ‘shape or form’.  Imagine if you became really focused and intentional about those circles and how they are working towards your overall schooling…

    Mark Your Circles Out if Necessary

    Circles are something we learn from very early, however they are also something that most riders don’t really ride very well.  The shape they are riding is not a true circle, it is not very accurate. Before you begin working on riding circles with your horse, first go and mark your circles out.

    How many markers you need will depend on your abilities to ride a line.

    If you are unsure, rather put more and then take away if necessary.  More would look like eight markers, less would look like four markers, but it is entirely up to yourself.  What is important is that the bend or arc remains consistent for the whole circle.

    Simply put; there should be no straight lines or corners!

    What Becoming ‘Off Track’ Looks Like on a Circle

    One of the most important concepts when riding a circle is being straight on the circle.  It sounds like a contradiction, doesn’t it?  However, straightness on a circle simply means that your horses two left legs are on one track and his two right legs are on another track.

    It looks a lot like train tracks; your horses two tracks remain parallel to each other regardless of where they go.

    If your horse ‘derails’ off of those tracks, you will lose energy and as a result, lose connection and forwardness.  Your responsibility is to establish those tracks and then maintaining your horse moving along those tracks.

    Creating a Channel using Your Aids

    Every time you are in the saddle, whether you are riding a straight line or a circle, you should be thinking about your channel and how you can improve it.

    Your channel is how you direct your horse’s energy. 

    This energy is created in the hind quarters, the backend or engine of your horse, and then funnelled along, through your horses back to the front end, where you can gather it up by creating contact and connection.

    When the channel is not maintained, this energy can either leak out or ‘overflow’ in certain areas.  As soon as the energy is not going where you want it to go, there is a lack of flow in your horses way of going – and the potential to become ‘derailed’ off of your tracks when you are on a circle!

    Your channel is maintained by establishing and then continuously adjusting the balance between all your different aids.

    Why Does the Your Horse ‘Derail’?

    In a previous episode we spoke about the importance of your independent seat.  How, in order for you to truly communicate with your horse effectively, all your aids must remain independent of each other – but at the same time working together towards a common goal.

    When your horse ‘derails’ or goes off track from the initial circle you had planned to ride, this is usually due to an imbalance in your aids.  Perhaps your inside hand is too heavy, or your outside leg is asleep  on the job.  It could be due to your being physically tired in the saddle and unable to maintain the channel as you ride the circle. A loss or lack or relaxation is another common fault that shows up for a lot of riders.

    Regardless of the cause of your aids becoming out of balance, the result will generally be that your horse moves off the original track and begins to run (walk, trot or canter) on three or even four tracks.

    How Can You Begin Fixing This?

    You can begin by understanding the aids to ride a circle (I have included a few links to blog posts on this topic below) and the importance of riding each individual stride in order to create a better overall circle.

    You can also work on your position.  Where are your seat-bones in the saddle?  And your legs?  Are your hands and shoulders doing what they are supposed to be doing?  Are you ‘weighting’ the inside seat-bone correctly?  Can you feel both seat-bones on the saddle at all times?

    There are a lot of things to think about when riding circles and even more when you begin really seeing circles as an important part of your schooling for your horse.

    I am including links below to other trainings on this topic that will help you stay on track with your circles, every single stride.

    Links mentioned in the episode:-

    Links to other content that will support you in developing your independent seat:-

    Happy Riding

    Lorna

  • Weight Aids & Seat Bones for Turning & Bending

    Weight Aids & Seat Bones for Turning & Bending

    The bend is approaching and you begin preparing both you and your horse to ride straight and accurately through the turn. However, as you ‘shift’ your seat bones into ‘position’ your horse begins, well, almost side stepping… The further you get through the turn, the further your horse is from the path you had planned; in fact, he has derailed altogether from the ideal ‘train tracks’ you had intended to stay on as you rounded the bend.

    As riders we learn early on about how important our weight distribution is to our horses way of going. We learn about positioning our seat bones, so we can indicate to our horses what exactly the next movement should be. We also learn that our weight aids are fundamental to all aspects of successful communication with our horses in the saddle.

    [smart_track_player url=”https://op3.dev/e/traffic.libsyn.com/dailystridespodcast/591-Weight-Aids-and-Seat-Bones-in-Relation-to-Turning.mp3″ title=”Weight Aids and Seat Bones for Bending and Turning” social_linkedin=”true” social_pinterest=”true” social_email=”true” tweet_text=”Weight Aids and Seat Bones for Bending and Turning Your Horse” hashtag=”Podcast #equestrian #horse” twitter_username=”strides_success” ]

    What we don’t learn is awareness of how the other parts of our body directly or indirectly affect how and where our weight aids are applied with our horse. There is also not a lot of time spent on figuring out how loud or how quiet we can communicate with our horses through our weight aids. In fact, most riders seem to think that a ‘one size fits all’ approach is sufficient regardless of the circumstances, situation or horse involved.

    Learning to correctly feel and then master your weight aids in the saddle is key to developing good feel as a rider. Those subtle shifts and movements, which happen when you direct your muscles to move, rather than your actual weight or bones themselves. This is very much apparent when turning your horse and that is what I want to focus on today.

    So let’s begin with focusing on how your carry yourself in the saddle. Many riders make the mistake of going a little too overboard when told to ‘relax’ through their body.

    Relaxation is key to good riding, however the level of relaxation is also important to consider; particularly when it comes to how it affects your weight aids and seat bones in the saddle when riding

    Ideally you want your muscles to ‘carry’ you in the saddle, enough that your hips and seat are free to move with your horse and follow the motion. Following when riding is a little like following when dancing. The dancer that is following must remain in control of their body, walking that fine line between too relaxed or ‘slack’ and too tense or ‘rigid’. All the while they are looking for cues from their partner and then taking the responsibility on themselves to respond to those cues in the agreed manner.

    Riding is the same. Following does not mean you slouch in the saddle, looking like you have had one too many before you mounted. It rather means you carry your upper body, so your hips and seat are then willing and able to follow the horse’s motion as he crosses the ground.

    Bending and Turning Your Horse Using Your Weight Aids and Seat Bones

    Think about it, your hips and seat bones can not possibly be free to perform a full range of motions if your upper body is heavy and slouching on top of it. Many riders mistake this for ‘shoulders back’, which is unfortunate as this only serves to increase the excess tension and therefore rigidness in the body, rather than simply carrying yourself, through your ribcage and positioning your body in the best possible place from which to begin asking your horse to turn using your weight aids.

    Once you are sure that you are indeed carrying yourself and, as a result, correctly following your horse wiht your seat, you can then begin looking at how subtle changes in different areas of your body will affect your weight aids and therefore what you communicate to your horse through your seat.

    So to begin with, let’s focus on the half halt.  One of the reasons we apply the half halt is to bring your horse’s attention back to you and let him know something is coming up.

    In fact, you can almost think of your half halt as being a big flashing arrow, directing your horse’s focus to your seat so he can begin to get further directions on what to do next

    Not using your half halt will probably result in your horse’s attention being elsewhere and therefore, any subtle movements with your seat to communicate with your horse will have a good chance of being ignored.

    That being said, it is also worth noting that applying the half halt and then following it up with an incorrect, overly exaggerated or heavy use of the seat and weight aids is just as ineffective as not using the half halt at all.  Think of your half halt as the opening part of the sentence which will then, in turn, lead up to the actual question you wish to ask your horse.   Become clear on what you want to ask, before you draw your horse’s attention to your seat to begin with!

    Once you have his attention, think about what you want of your horse as he rounds the bend.  Ideally, your horse’s spine should replicate the arc of the bend or circle.

    Your horse’s spine will stay on the arc all the way through, from his poll or ears to his tail or dock.  Similarly, your spine will too stay centered over your horses, not leaning one way or the other, not twisting and not collapsing to either the inside or outside.

    His hips will travel along parallel either side along this arc, however his inside hip will come slightly forward or ahead of his outside hip.  Your hips or seat bones will be in this same position.  Then look at the shoulders; again, they should remain parallel to the central arc or track as he moves along (like train tracks), however the outside shoulder will have to move a little more forward in order to do so and, therefore, so must your shoulders.

    It seems like an awful lot to remember, and when starting out, it is!  I have found it easier for some riders to rather remember where their legs should be through the turn.  Because your legs are connected to your hips, by moving them into the desired position, your seat bones will generally follow suit and automatically also ‘slot’ into position.  However, as you become used to the inside and outside being dictated by your horse, regardless of where you are in the arena, you can begin rather making the subtle shifts with your seat bones, and then allowing your legs to follow suit.

    So back to how we can use our muscles, either for good or bad, to influence our weight in the saddle.  Find a hard chair or stool and sit down with a hand under each of your seat bones.  Now, begin by moving your shoulders, the right one forwards the left one back and then vice versa.  Notice how a very small movement of only an inch or so, will change how the pressure being exerted on your hands from your seat bones feels.  Similarly, think about ‘weighting’ one of your seat bones.  Many riders will literally ‘bear down’ on that particular seat bone, shifting their upper body to do so.  However, feel that when this happens, your seat bones actually begin ‘sliding’ towards the opposite side.

    Now, rather think of ‘weighting’ that seat body through a combination of elongating the muscles on that side of your torso, and sending a tiny bit more weight or pressure to the heel of that leg.  Notice the subtle change in the pressure being applied on your hand.  It only takes small but precise adjustments with your muscles to ‘weight’ the seat bone.  The more you can learn to control your muscles, the clearer your communication will become with your horse.

    Very often riders use their weight aids in the wrong way; namely leaning with the upper body while will result in their seat shooting to the outside

    The result is that your horse will move completely differently to how you had planned, because he is trying to remain balanced and, literally, stay underneath you.  If you find this happening a lot, go back to making sure you are symmetrical, balanced and straight in the saddle and, once you are sure of that , begin insisting on it from your horse also. Always think about your own body and what you are communicating with your horse while riding  through the corner.

    I really think that being a little ‘picky’ or obsessive about riding in the correct position will help you to make sure that your body is in the best possible place to apply the correct aids for any given movement or direction.  It will take concentration and consistent effort on your part initially, but as your ‘feel’ increases, you will find that merely thinking about it will result in your body shifting slightly in the saddle – and the more consistent you are with always riding in the correct way, the more effective your horse will be at reading the small, subtle changes in your weight and position.

    Happy Riding

    Lorna

    I have written another blog post on applying your weight aids HERE >>

    Get to know your core muscles better which will give you more control over them by joining the FREE 30 Day Rider Fitness Challenge…

  • Re-Schooling a Corner Cutter

    Re-Schooling a Corner Cutter

    [fusebox_track_player url=”https://op3.dev/e/traffic.libsyn.com/dailystridespodcast/556-Riding-Your-Corner-Cutter-on-the-Straight-and-Narrow.mp3″ title=”Riding Your Corner Cutter on the Straight and Narrow” social_linkedin=”true” social_pinterest=”true” social_email=”true” ]

    Have you discovered that your horse is a bit of a maths whizz?  He has somehow figured out that if he shaves just a few meters or yards here and there off of the odd corner or three, he has to do less overall in each lesson or schooling session.  He seems to have a strong understanding of distance and how to make it shorter – much to your frustration and annoyance!

    Cutting corners is something that, the mere mention of, takes us back to that one riding school pony in our past. The pony who, no matter what you did, insisted on taking shortcuts every circuit of the arena

    However, unfortunately, any horse has the potential to become a corner cutter.  It is one of those niggling issues, that if it is not straightened out correctly once and for all with correct re-schooling, will plague almost all activities you choose to do with your horse.

    Poles on the ground throughout your jumping rounds due to a crooked approach, marks dropped in dressage due to no difference between a circle and going large, lack of bend, lack of flexion, etc…

    What Causes a Corner Cutter?

    So, the question is; once a horse has really become a genuine, bona-fide corner cutter, how can we begin to correct this?

    Well, let’s first take things back to the beginning of the issue, where the problem first began to become noticeable.  Usually, it is caused by a rider that is, well, less than accurate on how they are planning to ride a corner.  A lot of riders, particularly novice riders, tend to see corners as a means to get to the next ‘straight part’ of the arena.  Little attention is paid to actually riding the corner.  And, of course, when ridden badly will affect the quality of the ride on the same said ‘straight part’ of the arena.

    Truly Riding a Corner

    To begin remedying a corner cutter, the rider needs to first become really clear on how exactly they want to ride the corner and what that would look like

    It is important to keep in mind when planning this that your horse has a much longer back than you.  Meaning that where you can literally pivot on your ‘inside leg’ and turn the corner, he will need to take the corner more like a train would.

    It is also worth keeping in mind that with a train, the shorter the carriages, the tighter an angle or arc it could technically round a corner on… The same principle applies to your horse, the greater collection, the deeper into a corner or the smaller the angle will be that he can also round the corner with.

    Identifying the Track

    Of course, this does not mean that you need collection before riding a corner.  However, your horse does need to be balanced and the chosen track must be a suitable match for how your horse is going before riding into the corner.

    Looking at your own horses unique situation, where he is in his training and how developed is he physically and mentally, will dictate the track you can expect to follow when riding the corner correctly.

    Telling your Horse Where to Go

    Once you have an exact and realistic plan in your mind of where you want to go, the next step is to communicate this to your horse.  This means you must get clear on is your aids both before the corner.  You must set things up and then ride through the corner.

    If you have learned to drive a car you will most likely know that when driving around a corner or bend, the general rule is to break before and then accelerate through.  When you are told to break, it really means to check your speed and ‘rebalance’ the car before each corner.

    A similar principle applies to your horse. However rather than ‘breaking,’ your half halt is vitally important to firstly communicate that something is about to happen. And then to rebalance him before attempting to ride the corner.

    Using the Half Halt

    Just like the train we spoke of earlier, if your horse is long and ‘strung out’, he will not be able to ride deep into the corner. This may make your circles and corners look similar!  Use your half-halt to begin shortening things up a little and engaging the hindquarters, so as you can ride deeper into the corner and avoid any corner cutting!

    You may find that if your horse is a true and true corner cutter, you will need to ride quite a few half halts to really begin seeing the results that you desire, but the half halt, coupled with a lot of transitions, will soon have him more responsive to your aids and listening to you more…

    Re-Schooling a Corner Cutter

    Your Aids when Riding a Corner

    This leads us on to the next point – becoming really clear on your aids while riding through the corner.  Once you have half halted sufficiently and your horse is listening to you, you must then apply the aids to ask your horse to begin bending around your inside leg.

    He must continue to move forward at all times through the corner, all the while bending and flexing his body around your inside leg

    To maintain the rhythm, it is your responsibility to keep consistent contact with the outside rein, and only using the inside rein to flex the head and neck in the direction you are traveling.

    Don’t Pull the Outside Rein!

    Many riders make the mistake of pulling with the outside rein to try to keep their horse ‘out on the track’, but what almost always happens is the horse cocks his head to the outside, but then continues to shift to the inside.  This can look like bulging out or bracing his body against your inside leg.  Or, it can feel like moving the shoulders to the inside with each step, almost side passing around the corner.

    In both cases, the rider inevitably gives up and the horse merrily continues on, readying himself for the next battle of wills at the next corner!

    If you find this is the case, re-schooling your horse to become more responsive to your aids is essential if you are to successfully eradicate the corner-cutting from your horse’s habits.

    Forwardness & Responsiveness

    Spend time working on your horse moving firstly off your leg and forward, and once you have established that, he must also learn to come back when asked.  Then turn your mind to your horse moving away from your leg, or yielding to your leg.

    Begin by riding on a 10m circle in one of the corners in your arena.  Stay in the walk for the duration of the exercise, but make sure your horse is moving forward at all times.  Not dragging his feet or becoming ‘sticky’ with his front end rather than stepping out on each stride.

    Focus on the quality of the bend, is your horse really bending around your inside leg.  Do you truly have consistent contact with the outside rein?  Is your horse’s hind legs on the same track as his front legs at all times on the circle?

    Think of your horse’s tracks as train tracks, the back hoof must follow the corresponding front hoof on both sides, equal even and remaining parallel to each other as he travels around the circle.

    Using Transitions to Build Responsiveness

    From here, begin working large around the whole arena, but still riding a 10m circle in each corner.  Use the long sides of your arena to ask for some transitions, whether it be between walk and halt or walk and trot, or all three.  However, make sure you are back into a relaxed, rhythmic, and forward going walk approximately 5 meters before each corner.

    Once you and your horse can consistently maintain the correct bend in each corner, on the track you have decided on each time, change rein and work on the opposite rein.  

    Notice any differences your horse might show between the two directions and, if you do pick up on any stiffness, create a plan with each ride to begin helping your horse to loosen up.

    Paying Attention to the Trot…

    Finally, once your horse is truly responsive and listening to you on the circle at each corner, just go large, no circles.  See if you can continue to maintain the bend in each corner as you ride through it, and if so, begin working in trot.

    You may find that once you add a little more speed, things become a little harder to control and maintain.  

    If so, begin the same exercise, with the circles, in trot.  However, you may need to ride a larger circle depending on your horse’s level of training.

    Consistency, as always, is the key to banishing your horse’s corner cutting habits for good.  

    Remember to ride each corner as its own separate movement and then you should begin to see a continuous improvement in how well your horse can ride a bend and also, the quality of the work as you ride out of each corner.

    Happy Riding!

    Lorna

    Additional Links to Help You:-

  • The Correct Diagonal In Trot

    The Correct Diagonal In Trot

    Finding the Correct Diagonal in Trot

    There you are, happily trotting around the arena, delighted at the fact that you can ‘post’ correctly; until someone goes and bursts your bubble by pointing out that you are on the wrong diagonal…  “Sit for two” they shout your way…  And you’re thinking ‘Come again?’!

    [smart_track_player url=”https://op3.dev/e/traffic.libsyn.com/dailystridespodcast/SFA486-Finding-the-Correct-Diagonal-in-Trot.mp3″ title=”Finding the Correct Diagonal in Trot” social_linkedin=”true” social_pinterest=”true” social_email=”true” tweet_text=”Struggling with your diagonal in the trot? This will help (no looking required!) ” hashtag=”trotting #horseriding #equestrian” twitter_username=”strides_success” ]

    What is the Diagonal in the Trot?

    Being on the correct diagonal is to do with rising or posting to the trot.  We know that when our horse trots, his legs move in diagonal pairs, the front inside with the back outside and the front outside with the back inside.

    Your horses way of travelling, in diagonal pairs, is what creates the two-time beat that we experience in trot.  The 1,2,1,2,1,2…  or, when we rise or post to the trot, the up, down, up, down, up, down.

    Posting or rising on the correct diagonal in trot is when you are sitting or down when your horse’s outside shoulder (and inside hind leg) are on the ground.  This means that you are rising or posting when the same outside shoulder and inside hind leg and moving forward.

    There is a well-known ‘rhyme’ to help riders remember which diagonal pair is the correct one to post.  It goes ‘Rise and fall to the leg by the wall’.  This pertains to the front leg closest to the wall, or the outside shoulder, which when we are first being introduced to a diagonal, is the easiest way to establish if you are correct or incorrect.

    So, Why Worry About Which Diagonal You’re On?

    Remembering which diagonal is the correct one is important.  However, understanding the reason you ride on one diagonal or the other will help you move forward in your riding training.

    It actually has little to do with the outside front leg, or shoulder.  It has more to do with the inside hind leg, the other half of the diagonal pair to the outside front leg, which is creating the energy and impulsion in the trot.

    As your horses inside hind leg comes onto the ground, this is the point where he is most balanced.  

    Your being ‘down’ at this point will help to maintain this balance, particularly around turns, bends and circles.

    Using Diagonals to Help with Equal Development

    The other consideration or factor with riding the correct diagonal is that you are equally conditioning or working your horse’s back and hind end.

    As your horse trots, his hind legs are constantly pushing him forward.  If you were to always ‘sit’ or be in the ‘down’ part of your rising trot on the same hind leg, that constant one sidedness would begin to show itself over time in a lack of suppleness through your horse’s back.

    Therefore, while you are in an arena or an enclosed space and assuming you are working your horse equally on both sides, you can use the wall or fence as your ‘outside’ reference.  

    However, as soon as you leave the arena and perhaps are on the trail or the road, there is no ‘outside’ or ‘inside’.  When posting to the trot along a long straight road, it can be easy to forget about diagonals.  This can potentially be an issue for your horse.  This is because your outside and inside may not change for long periods, if ever.

    Therefore it is important that you are consistently changing your diagonal periodically throughout the ride.

    Learning to Feel which Diagonal You Are On

    Learning to feel which diagonal you are on at any given time takes consistent effort and focus on your part.  You should aim to eventually be able to literally feel which diagonal you are riding on at any given stride.  I will explain more about that later in this post.

    However, initially I recommend using  your eyes to make sure you are indeed riding on the correct diagonal.  Seeing is much easier than feeling initially. And you can use your sight to ‘train’ your feel over time. 

    I suggest beginning in walk where you can learn to distinguish, using a glance of your eyes, where your horse’s outside shoulder is at any given time.   The term glance is an important one here/  This is because if we begin to lean or even tilt our head down to see what is going on with the shoulder, it changes our weight in the saddle.  This will, in turn, unbalance our horse.

    So, while you are walking, glance down at the outside shoulder and notice it going back and forward.  Many instructors will recommend noticing the forward and coupling this with your ‘rise’ or ‘post’.

    In my experience it is far easier for you as a rider to notice the ‘back’ part of your horse’s stride.  Once you have that pinpointed, you simply couple this with the ‘down’ or ‘sit’ part of your rising trot.

    While in the walk practice your posting or rising to correlate or synchronise with your horse’s outside shoulder position in every stride.  It also helps to say it out loud; “back,    back,    back,     back” and again, match this with your ‘down’ action.

    Putting This into Practice in the Trot Itself

    From here you can begin to pick up working trot.  However, this time, before you give any notice to your horse’s shoulder, I recommend you say “back” each time you are down or sitting as you are going through the motions of your posting or rising to the trot.  Saying it out loud, will help as well.  Once you have been repeating this for a few strides, where it becomes almost like a rhythmical mantra of sorts, you can then begin to glance down and see where your horse’s shoulder is.

    The reason I suggest repeating your new ‘back, back, back” mantra out loud is that you may find it difficult to keep paying attention to what you are doing, while also figuring out where your horse’s shoulder is!  It all happens quite fast when actually working through this.

    So, while you are repeating “Back” each time you sit, you can begin to see if this does indeed align with your horse’s shoulder being back at the same time.   If it does, fantastic, you are on the correct diagonal.

    Changing Your Diagonal

    However, if you see that you are rising on the incorrect diagonal, you can simply sit for two.  This means that as you are going up, down, up, down, up, down with the trot, you will put two downs in there.  Your sequence will be up, down, up, down, down, up down, up, down.  

    By sitting for two beats, or indeed any even number (four, six, eight etc) you will swap your diagonal and when you go ‘up’ again, it will be on the opposite diagonal.

    Developing Your ‘Feel’ For Your Diagonal

    Once you are able to tell which diagonal you are on with just a quick glance, you can begin to develop your ability to feel the correct diagonal.  Again, I am going to suggest beginning in the walk.

    First notice how your seat bones move backwards and forwards.  It can initially feel like they are moving together, but try to isolate this a little more; they are actually moving individually.

    Then begin to take notice of how they move up and down as well.  For example, as your left seat bone moves forward, it will have ‘dipped’ lower than your right seat bone. As this is happening, your right seat bone will also be on the move.  It will be moving backwards, and will be higher than your other seat bone.

    This backwards, forward, up and down feeling you are noticing is happening because your horse is moving.  His hips are moving your hips and seat bones.  What is important is to recognise that his hips are moving, because his hind legs are moving.

    Therefore, if you start to become mindful of how your seat bones are moving and where they are moving to, you will know exactly what is happening with your horses legs.

    Feeling the Movement in the Sitting Trot

    Once you can feel this movement in the walk, you can begin working in sitting trot.  Many riders think of sitting trot as being a purely up and down movement, however, this will change when you begin to focus your attention on your hips and what they are doing as you ride the sitting trot.

    You will feel that at each ‘bounce’ (beat one) of the trot stride, one of your hips will be higher than the other one.  The next bounce (beat two) will produce the same result, but on the opposite side.

    This is caused by the diagonal pairs of your horse’s legs in the trot moving underneath you.  From here, you can begin to isolate what your outside hip is doing.  When it is up, you can begin to rise at that point in the trot.  This will be the posting part of your trot.

    You rise as your horse’s inside hind leg is moving forward underneath you and as his outside shoulder is moving forward.  You will then ‘sit’ as your horse’s inside hind leg and outside shoulder are on the ground and your horse’s body is moving over them.

    The Correct Diagonal Impacts Your Horses Development

    As mentioned, when you are riding on the correct diagonal, your horse more balanced on turns and circles.  However, the correct diagonal will also affect your horses way of ‘going’.

    When on the correct diagonal, as his inside hind leg moves up and forward, you are rising along with it out of the saddle.  This literally frees up more ‘space’ for your horses inside hind leg to move into.  

    The more developed both you and your horse become, the greater the importance of this ‘space’.  As riders, we want to give our horse instructions, aids, when they will be most effective for our horse to take action on.

    How our horse engages or uses his inside hind leg is one of the biggest factors in the quality of the gaits our horse produces.  The balance, rhythm, tempo and just overall performance.  Therefore knowing where your horse’s hind legs are at any given time, regardless of the gait you are in, will help you to begin timing the application of your aids more effectively. 

    Developing Your Ability to Ride the Correct Diagonal in Trot

    Effective application of aids and timing of aids leads to clearer communication between horse and rider.  It has a direct impact on the overall quality of the conversation in the saddle.

    Therefore it makes sense to take the time to begin learning what is moving when underneath you; and then implementing that in your day-to-day riding.

    Happy riding!

    Lorna

    Links to related content & freebies:-

  • Lightening Up on Your Inside Rein

    Lightening Up on Your Inside Rein

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    When we first learn to ride, turning is often explained to us as merely a ‘tug’ or pull on one rein or the other to turn our horse’s head. There’s a general consensus being that where his head turns, his body will go…

    However, anyone who has ridden a determined pony or horse will know that this is very often not the case… You can point the head where you ‘want’ to go. But, very often, your horse will crab along sideways, almost following his hindquarters. This is usually in the opposite direction; which 90% of the time is the same direction as the stable!

    Later as we become more accomplished in the saddle, what started out as a simple instruction in our first lesson, has become an ingrained habit.

    Something that we often feel nervous or anxious about giving up control over!

    Early Riding Lessons

    So why are we thought to turn this way if it is indeed incorrect? And why, later when we get into the nitty-gritty details of riding, are we constantly hearing about softening or lightening our inside rein?

    Lightening Up on the Inside Rein

    I think the reason that we are thought this initially is threefold…

    Firstly, we get a quick win under our belts which then leaves us wanting more (translate into booking more riding lessons!).  Secondly, even the best-coordinated person struggles when they first get into the saddle to use their different limbs and body parts in different ways all at the same time to produce the desired result!  And lastly, it’s a control thing and one that we need to learn to let go of!

    The Importance of the Inside Rein

    However, the inside rein is a vitally important part of riding, for flexion, support and balance.   Today I want you to begin thinking of your inside rein as having more of a supporting role rather than being the lead character in your riding performance

    Often we have become so set in our ways of depending completely on our inside rein, that the only way to get out of this habit is to go cold turkey before we can then begin thinking about and practicing lightening up on it.

    So, let’s think about being on a 20m circle to the right in the walk.  If you were to drop your inside rein, what would happen?  You will notice I said ‘drop’ here…  Yes, cold turkey means that – nothing; letting go; surviving and riding on without it!  You would probably think, well my horse will just begin walking large around the arena again… Or, he may even begin to track left!

    And initially, you may be correct, he might just do that.

    The key to getting over your dependency on the inside rein is to start thinking of all the other aids you have at your disposal to help communicate with your horse that you want him to continue tracking right on the 20m circle.

    A Balance of Your Aids

    Firstly, there is your seat and weight aids.  Think of sliding your inside seat bone forward and, in doing so, the inside seat bone becoming a little more weighted.

    Then, shift your attention to what your inside leg is doing…  This is particularly important and often the key to keeping your horse going in the direction you are looking for.  If you are only now holding your outside rein (which in this case is your left rein) your inside leg or right leg is the aid that will balance that strong or leading outside rein.  We can often see this better in action if you were to drop your inside rein while traveling down the long side of the school.

    Without the inside leg, your horse would completely bend to the outside, however your inside leg regulates the ‘pull’ of the outside rein.

    Then we have your outside leg.  This is probably the most forgotten aid of all in your toolbox.  Use your outside leg to indicate to your horse to move around your inside leg.  Again, using our 20m circle to the right, your outside leg being your left leg, it will literally pick up the slack from your inside rein and keep ‘indicating’ to your horse to continue on around the circle, or more to the point, around your inside leg.

    You may initially find that your horse is just wandering around the school or arena, but I really encourage you to keep continuing to try ride the circle without any use of your inside rein.  

    Your Mind is an Aid Too…

    I also advise having a quick ‘check-up’ with what is going on in your head and translating it to your body…  Are you feeling nervous about the ‘lack of control’?  It could be that you’re feeling a little stiff, wondering what will happen?  Or maybe you are trying to influence your horse with your upper body by leaning or shoving – please don’t!

    Or has your outside rein gone on vacation, across the withers, to the ‘other side’ in an unconscious attempt to neck rein your horse to the right?!

    Keep focusing on just asking correctly with your aids; seat, inside leg, outside leg and outside rein, and slowly you will begin to see that your horse begins to pay attention to what you are asking…  He may even begin to walk on a ‘circle’ (of sorts!).

    Remember to keep verbally rewarding your horse when he makes a move in the correct direction.

     Keep in mind that you have trained him to follow your inside rein and retraining him to rather look for other indicators and signals will take time, consistency and patience from your part as a rider.

    Work in Both Directions

    Once you have begun making progress on the right rein, begin working on the left rein.  Swap your inside for your outside and vice versa and then, letting go of your new inside rein (left rein), ask your horse to now pick up a 20m circle to the left.

    Continue to practice this on both reins until you have begun to believe that you can indeed influence your horse to turn without pulling on your inside rein.  I think believing you can do it, is a big part of overcoming your dependency on it!

    You can also, once you have mastered your circles in walk and if it is safe to do so depending on your level of experience and your particular situation, pick up trot and even canter on the circle.  You may notice that initially things may go a little haywire. They can when you factor more speed and movement into the equation!  But, again, stick with it until you can communicate to both yourself and your horse that the inside rein is not what is turning your horse!!

    Re-Introducing Your Inside Rein

    So, we mentioned at the beginning that your inside rein is a vitally important part of your riding.  Now it is time to invite your inside rein back on stage.  But keep in mind all the time that it merely has a supporting role in your whole performance.

    In riding, just like acting, timing is everything and knowing when and how to use your inside rein to influence and support your horse is vitally important.  A badly timed squeeze or softening of the rein can be the difference between your horse staying balanced and your horse falling onto his forehand. 

    This is due to the fact that the inside rein, when used, will affect the inside hind leg and your horse’s inside hind leg is where most of his forward propulsion and balance stems from.

    I would first suggest beginning to practice ‘timing’ this with a very loose inside rein where you really don’t have any contact.  Practice ‘allowing’ with your arm, more notably your elbow, and then taking it back or resisting.

    However with your inside hand, rather than thinking of resisting, think of ‘indicating’.  It is merely a suggestion rather than a hard and fast order.

    Influencing the Inside Hind Foot

    Your aim is to communicate what needs to be said when your horse’s inside hind foot is on the ground.  When he is lifting his inside back foot off the ground and bringing it forward, any pulling or resisting on your inside rein will result in the hind leg not coming as far forward as you would like. This will result in a loss of balance or impulsion for your horse.

    Said differently, your aim is to be soft or light with your inside rein as your horse’s inside hind leg is in the air and moving forward

    Your horse must be schooled, obedient and responsive to then follow through with that suggestion himself in order for your inside hand to truly be effective.  Again, this comes back to consistency on your part. And, also, saying goodbye to the dependency you may have built up on your inside rein.

    Creating Contact with Your Inside Rein

    Once you feel comfortable with giving and taking the loose inside rein, begin to develop a contact by shortening your inside rein.  Make sure you do this slowly, in gradual little increments, so as to not grab it and undo all the work you have just put in.

    Test your effectiveness while riding up the center line.  Can you flex your horse’s poll one way or the other using your inside rein, without losing any forward momentum or your horse stepping to the inside, which will happen if he feels unbalanced?

    You can also go back to your circle and using your other aids to maintain the circle, just use your inside rein to ask for flexion through the poll to the inside.  You should find that your horse will have a more active gait on the circle, have more balance and just be a happier horse overall!

    Remember your inside rein is only the supporting character and without your other aids, the whole performance is pretty much guaranteed to be a flop!

    If, over time, you feel that you are beginning to pull or depend a little too much on your inside rein again, take it back to riding without it for a few minutes in the arena to reassert your other aids again.

    Happy Riding
    Lorna

    Additional Resources for Equestrians

    Lightening Up on Your inside Rein

  • Asking Your Horse to Bend

    Asking Your Horse to Bend

    Riding through a bend is something you will have to do every time you get in the saddle, whether it be the 4 corners of your arena or just the route you take to get from point A to point B.  It therefore makes good sense to work on your ability to navigate those bends successfully, without losing balance, rhythm, energy and focus each time you encounter a bend.

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    Riding a bend correctly will result in your horse having an equal bend throughout his body, resulting in the energy continuously being directed where you want it to go; forwards, and not out being lost anywhere along the arc from tail to poll.

    Asking Your Horse To Bend

    A good way of ‘seeing’ this equal bend, so you can visualize using your aids, is to think of a whip or stick being held at each end with your two hands.  Now, imagine closing your hands closer together…  If you use equal pressure from both hands on each side and gently ‘feel’ to make sure you are balancing that pressure and not overexerting the whip, the whip will have an equal bend all the way through.

    Now (without snapping your whip!) imagine what would happen if you pushed too hard or too much with one hand or the other, or try to force or ‘fix’ the bend; the whip would snap, leaving you with two straight lines with a break in the middle.  This is similar to what happens to the line from poll to tail on your horses back; often by applying too much of one or the other aid (usually hand), the result is a straight line from poll to withers and then another straight line from withers to tail, with a ‘break’ at the withers or shoulder where all the energy has fallen out of.

    Riding your horse correctly around a bend requires a balance of aids from you, which will allow your horse to navigate the bend to the best of his ability.  You cannot force him and you cannot fix him.  Your job as the rider to is guide him around the bend so he remains in balance and moving forward.

    When you horse rounds the bend correctly, his inside back hoof will stay on the track created by his inside front hoof, and the same applies to the outside legs, almost like train tracks, remaining parallel to each other around a turn or bend.

    In order for this to happen the horse must lengthen or stretch of one side (the outside) of the body, rather than a shortening of the inside.  Your aids will ask him to do this, however before we can discuss the aids, we must first become clear on the terms Inside and Outside with relation to riding and bending.

    Often when we are learning what is the inside leg or what is the outside rein, the instructor will use the analogy of a circle or the arena wall itself to demonstrate and when you are initially learning to ride, this generally holds true.

    However, as you begin to ride more complex movements, such as counter canter or leg yielding, the issue of inside and outside changes from where you are in the arena or what shape you are riding, to what way your horse is bending.

    This is the true meaning of inside and outside, the inside being the leg, hand and seat on the concave side of the horse, depending on which direction or way he is bent.  The outside being the opposite of the above on the convex side of the horse.

    So once you have decided which way you are going to bend your horse, begin by shifting your inside seat bone slightly more forward than your outside seat bone.  In doing so, you will feel that your inside seatbone is now a little more ‘weighted’ as well.  Make sure you are not leaning towards the inside with your upper body; this will have the opposite effect and ‘push’ your weight to the outside of the saddle.

    Your inside leg is applied on or at the girth.   This will help you continue to create forward energy and gives your horse something to bend around, rather than falling in and sideways.  In fact I have found it helpful to get my riders to think of their inside leg as a pole that their horse must bend around.  It helps visualise the bend, but it also helps to ensure that they are using their outside leg aid as well.

    When riding on a bend, your outside leg will move back slightly in order to control the hind quarters and, in particular, make sure they don’t swing out around the bend.  This is often evident on circles and when it happens the horse is no longer following the ‘train tracks’ that his front legs are creating.

    Your inside hand is used to indicate to your horse that you are asking for the turn, using a combination of arm, hand, wrist and fingers.  Very often riders will use only their inside hand to turn, and just like the whip analogy we spoke of earlier, using too much pressure from one aid will result in the ‘break’ of the arc and the energy falling out.  The use of the inside hand is very subtle and can be thought of as more of an indicator, rather than what actually bends your horse.

    Finally, your outside hand prevents your horse from over bending and helps to hold the forward energy created by your inside leg together.  Unfortunately a lot of riders forget about their outside hand when turning, however it is vitally important in holding everything together as you and your horse navigate a turn or bend.

    I suggest beginning by practicing first in halt.  Adjust your position to where you would if you were to ask for a bend while riding.  Notice how easy it is for you to move in and out of this.  Keep in mind that the movement should be fluid and that if you are having to really struggle to ‘hold’ something, you may in fact be over doing it.  You are only making small subtle movements that your horse will pick up on and respond accordingly.

    Once you are clear about how to ask your horse to bend one way or the other, you can ask for walk and whether you choose to walk large around the arena or begin to ride some different school figures, begin assessing how your horse bends and how you are using your aids to ask him and then ride him through the bend.

    Notice if you are perhaps dropping your inside shoulder?  Or maybe you are completely forgetting about your outside hand or leg.  Keep working on this in walk until it becomes second nature to you to ‘bend’ your horse around each and every turn, rather than use your inside hand to drag him around!

    From there you can begin to work in trot, where you may find that your horse falls in around the corners, or that the hind quarters are more likely to swing out rather than following the front end.  Notice it and then, begin by correcting your position and aids.  See what effect this has on your horse and work from there.

    Keep in mind that your horse may experience some stiffness on one side compared to the other.  If you experience this, create a plan for your ride that will incorporate a slight increase of work on that side, however slight is the key word here.  This will, with correct training, be corrected over time with consistent, correct riding and work.

    Happy Riding
    Lorna